Sunday, 17 October 2021

dead mans bottom

Course

The source of the brook are underground springs at Hadley Common which are mentioned in reference to the penultimate battle in the Wars of the Roses at the Battle of Barnet. At this point it is known as Monken Mead Brook before flowing in a south-easterly direction to merge with the River Lee Navigation at Tottenham. It flows through East Barnet, where it is joined by a small tributary, the Shirebourne brook before flowing through New Southgate, Arnos Grove, Palmers Green and Edmonton. After flowing through Pymmes Park the brook can be seen at Fore Street, Edmonton before it flows underground and emerges south of the North Circular Road at Angel Road, where it is joined by Salmons Brook. The brook then flows parallel with the River Lee Navigation in Tottenham Marshes until it merges with the Lea near Ferry Lane A503 and Tottenham Lock.

Shakespearian dramatisation

A man, wearing armour and a surcoat, lies on the ground. His helmet is off, and his face is turned towards a kneeling knight, who is supporting him. Standing behind the two is another knight, whose sword and shield are held at the ready.
Henry VI, Part 3: Warwick, dying at the Battle of Barnet, speaks his last words.

The battle is alluded to in William Shakespeare's Henry VI, Part 3 (1595).[92] The end of Act V, scene one depicts the events leading up to the battle; scenes two and three portray the conclusion, in which the characters discuss the combat and the fates of its participants. Shakespeare uses few details reported by contemporary chroniclers and ignores notable incidents, such as the confusion over Oxford's and Edward's badges.[93] His play is based mostly on poetic and dramatic sources. In the play, Montagu is killed while trying to save his brother (Shakespeare's source material included Hall's 1548 The Union of the Two Noble and Illustrate Famelies of Lancastre and Yorke),[94][95] and Warwick is dragged in by Edward IV and left to speak his dying words to Oxford and Somerset.[96] Warwick's death dominates the scenes, reflecting Hall's vivid portrayal of the earl's passing as a valiant death.[97] Furthermore, whereas several chronicles mention Edward's desire to capture Warwick, Shakespeare has the Yorkist king lustily demand Warwick's skin.[95]

Shakespeare presents the Nevilles as brothers who are willing to die for each other, whereas the three sons of York—Edward, Gloucester, and Clarence—are slowly driven apart by their own goals and ideas.[98] Professor of English John Cox suggests that Shakespeare did not share the impression given in post-battle ballads that Edward's triumph was divinely ordained. He argues that Shakespeare's placement of Clarence's last act of betrayal immediately before the battle suggests that Edward's rule stems from his military aggression, luck, and "policy".[99] Shakespeare also explicitly excludes Edward from action sequences, a departure from Hall's depictions.[100]


ACT V. SCENE II. 


A field of battle near Barnet

Alarum and excursions. Enter KING EDWARD, bringing forth WARWICK, wounded

 KING EDWARD.

So, lie thou there. Die thou, and die our fear;
For Warwick was a bug that fear'd us all.
Now, Montague, sit fast; I seek for thee,
That Warwick's bones may keep thine company

Exit

 WARWICK.

Ah, who is nigh? Come to me, friend or foe,
And tell me who is victor, York or Warwick?
Why ask I that? My mangled body shows,
My blood, my want of strength, my sick heart shows,
That I must yield my body to the earth
And, by my fall, the conquest to my foe.
Thus yields the cedar to the axe's edge,
Whose arms gave shelter to the princely eagle,
Under whose shade the ramping lion slept,
Whose top-branch overpeer'd Jove's spreading tree
And kept low shrubs from winter's pow'rful wind.
These eyes, that now are dimm'd with death's black veil,
Have been as piercing as the mid-day sun
To search the secret treasons of the world;
The wrinkles in my brows, now fill'd with blood,
Were lik'ned oft to kingly sepulchres;
For who liv'd King, but I could dig his grave?
And who durst smile when Warwick bent his brow?
Lo now my glory smear'd in dust and blood!
My parks, my walks, my manors, that I had,
Even now forsake me; and of all my lands
Is nothing left me but my body's length.
what is pomp, rule, reign, but earth and dust?
And live we how we can, yet die we must.

Enter OXFORD and SOMERSET

 SOMERSET.

Ah, Warwick, Warwick! wert thou as we are,
We might recover all our loss again.
The Queen from France hath brought a puissant power;
Even now we heard the news. Ah, couldst thou fly!

 WARWICK.

Why then, I would not fly. Ah, Montague,
If thou be there, sweet brother, take my hand,
And with thy lips keep in my soul a while!
Thou lov'st me not; for, brother, if thou didst,
Thy tears would wash this cold congealed blood
That glues my lips and will not let me speak.
Come quickly, Montague, or I am dead.

 SOMERSET.

Ah, Warwick! Montague hath breath'd his last;
And to the latest gasp cried out for Warwick,
And said 'Commend me to my valiant brother.'
And more he would have said; and more he spoke,
Which sounded like a clamour in a vault,
That mought not be distinguish'd; but at last,
I well might hear, delivered with a groan,
'O farewell, Warwick!'

 WARWICK.

Sweet rest his soul! Fly, lords, and save yourselves:
For Warwick bids you all farewell, to meet in heaven.

[Dies]

 OXFORD.

Away, away, to meet the Queen's great power!

[Here they bear away his body]

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